I enjoy reading Zac Hicks' blog often. I don't always agree with him, but I appreciate that he is a contemporary church musician that understands the theology of worship.
Today, he reminds us that "worship songs should say far more about God’s love for us and far less about our love for God."
As I repeat so often, "response" is a key toward biblical worship, but it's the last step in corporate worship. We must always start with what is true about God, for instance, God's love for us, before we can respond. I would argue, however, that we must go back further beyond this point. Something, of course, proceeds God's love for us. His character is and has always been, apart from us. We must begin with God's transcendence; his "otherness," and then recount His hand in salvation history and, further, into our own lives as individuals.
Though I like to refrain from being cliche' with my hymn choices, "Holy, Holy, Holy" is one of the better and most accessible texts emphasizing God's otherness.
Holy, holy, holy! Lord God Almighty!
Early in the morning our song shall rise to thee.
Holy, holy, holy! Merciful and mighty,
God in three persons, blessed Trinity!
Holy, holy, holy! All the saints adore thee,
casting down their golden crowns around the glassy sea;
cherubim and seraphim falling down before thee,
which wert, and art, and evermore shalt be.
Holy, holy, holy! Though the darkness hide thee,
though the eye of sinful man thy glory may not see,
only thou art holy; there is none beside thee,
perfect in power, in love and purity.
Holy, holy, holy! Lord God Almighty!
All thy works shall praise thy name, in earth and sky and sea.
Holy, holy, holy! Merciful and mighty,
God in three persons, blessed Trinity.
In this great text, we are over and over drawn to acknowledge the transcendence, the "otherness" of God (Lord God Almighty, song shall rise, which wert and art and evermore shalt be, though darkness hide Thee, perfect in power, in love and purity...).
From this point, we move to God's immanence; his work in human history. Here is a fabulous text:
Love divine, all loves excelling,
Joy of heaven to earth come down;
Fix in us thy humble dwelling;
All thy faithful mercies crown!
Jesus, Thou art all compassion,
Pure unbounded love Thou art;
Visit us with Thy salvation;
Enter every trembling heart.
Breathe, O breathe Thy loving Spirit,
Into every troubled breast!
Let us all in Thee inherit;
Let us find that second rest.
Take away our bent to sinning;
Alpha and Omega be;
End of faith, as its Beginning,
Set our hearts at liberty.
Come, Almighty to deliver,
Let us all Thy life receive;
Suddenly return and never,
Never more Thy temples leave.
Thee we would be always blessing,
Serve Thee as Thy hosts above,
Pray and praise Thee without ceasing,
Glory in Thy perfect love.
Finish, then, Thy new creation;
Pure and spotless let us be.
Let us see Thy great salvation
Perfectly restored in Thee;
Changed from glory into glory,
Till in heaven we take our place,
Till we cast our crowns before Thee,
Lost in wonder, love, and praise.
In this great hymn, Wesley immediately recognizes that the all-powerful, transcendent God has made himself immanent, working in human history (Joy of heaven to earth come down).
The last element of congregational worship is our response. It's extremely important, but it cannot happen without a clear understanding of why we should worship the Living God in the first place. Here is one of my favorite examples of response:
Out of my bondage, sorrow, and night,
Jesus, I come, Jesus, I come;
Into Thy freedom, gladness, and light,
Jesus, I come to Thee;
Out of my sickness, into Thy health,
Out of my want and into Thy wealth,
Out of my sin and into Thyself,
Jesus, I come to Thee.
Out of my shameful failure and loss,
Jesus, I come, Jesus, I come;
Into the glorious gain of Thy cross,
Jesus, I come to Thee.
Out of earth’s sorrows into Thy balm,
Out of life’s storms and into Thy calm,
Out of distress to jubilant psalm,
Jesus, I come to Thee.
Out of unrest and arrogant pride,
Jesus, I come, Jesus, I come;
Into Thy blessèd will to abide,
Jesus, I come to Thee.
Out of myself to dwell in Thy love,
Out of despair into raptures above,
Upward for aye on wings like a dove,
Jesus, I come to Thee.
Out of the fear and dread of the tomb,
Jesus, I come, Jesus, I come;
Into the joy and light of Thy throne,
Jesus, I come to Thee.
Out of the depths of ruin untold,
Into the peace of Thy sheltering fold,
Ever Thy glorious face to behold,
Jesus, I come to Thee.
In this text, the congregants are prompted to respond to the truth of God's transcendence and immanence. The only proper response is one of complete surrender to the Almighty Creator and Savior.
Again, my guess is that not being familiar with the standard repertoire is a real problem here. My guess is that some of the best hymns are those you’re not familiar with, such as those by Wesley or Watts. There are vapid hymns (though most of them are gospel songs by definition), though most of them have fallen out of use prior to the publication of any modern hymnals. “In the Garden” is the best example of one that has remained, and without apparent reason that I can see.
“Point one shows lack of knowledge when it comes to modern songs. There really is nothing wrong with that. If I was only familiar with poor modern songs, I’d stay away too.”
Point taken, and though I certainly don’t keep up constantly, I’m around the scene enough to here what’s happening. I am occasionally impressed by a text, that’s for sure.
“So, if they are music driven, it isn’t what drives me to those songs. To address the last sentence: the way a song is crafted is neither right nor wrong. It is.”
Well, I think we need to think more deeply about this, and I won’t go on and on here, other than to say that music matters theologically, as does everything else we do. There are theological connotations to musical setting. [What I mean is, music is not amoral, even if it is contextual. It does have ethical, moral and theological connotations.]
“Point three I think is partially true. Because of the limitation by modern song form one cannot write as much theology into a song. But the same truth should resonate when singing the less verbose modern song. Songs like Hillsong’s “Desert Song” touches on good theology.”
You’re right in that not every song needs to be a deep theological treatise, but they should be a) correct, b) well-crafted, and c) solid.
“To address the last sentence I’m not arguing for CCM, I’m arguing for modern worship songs. Most CCM I can live without. I don’t even listen to it because after hearing a few songs there is nothing to draw me to it lyrically or theologically.”
I use the term to abbreviate. If it’s more inclusive, we can use “modern.”
“If you have looked at the songs I mentioned in this reply I hope you can come away encouraged that not all modern songs are bad, just as all hymns aren’t good, which was the main point I was trying to get across.”
You’re right. Not all the texts are bad. But there is more to consider. First, the best of hymnody is better than the best of “modern” and reflects a deeper theological concern. Second, never in the history of congregational song has it been the practice to only sing new songs and in a new style. New hymns were always being written and added to the ranks of the previous years. Now, the practice is to only sing new songs and to sing them in a vernacular style. There is, quite simply, no reason for this.
“If we search “new” and “song” in the Bible we will find we are commanded to sing a new song. Continually singing old songs is disobedience. If hymn style is important than more songs like Stewart Townend’s “In Christ Alone” and “How Deep The Father’s Love For Us” should be undertaken. It is our duty to obey Scripture and write new songs. Thankfully, God didn’t demand a style.”
When we are told to “sing a new song,” it most certainly doesn’t mean songs that are chronologically “new.” That is a complete “uninterpretation.” It means that we are to rejoice afresh in the love and grace of the Lord. And the traditional format, again, does not mean just simply “old.” There are new hymns being written all the time, as there always have been, in a classical or neutral style, instead of a vernacular, fleeting style.
:BTW just to give it a shot I found the article mentioned and looked at the list and read the lyrics to “There’s a Wideness in God’s Mercy.” It’s truth, but it’s not worship. It is us singing to us to remember truth. There is nothing wrong with that (as we are commanded to so by Paul), but I wouldn’t sing it call it a worship song. ”
Sorry, friend. This statement demonstrates the influence of contemporary understanding of “worship.” Worship is “reverential human acts of submission and homage before the divine Sovereign, in response to his gracious revelation of himself, and in accordance with his will” (Daniel I. Block). The contemporary definition is something like “speaking directly to God in a church service with simplicity and felling.” That is completely unbiblical and erroneous. Singing songs about God are concise reminders of God’s self-revelation can be very worshipful. Humbly listening to Scripture is worshipful. Reciting creeds is worshipful. These are all worshipful acts. Additionally, whatever we do in a service can only compose a tiny piece of worship, if that much. We are to encourage each other and listen to God’s self-revelation, so that we can spur one another on to actual, life-consuming worship.
In fact, there are some who would suggest what we do in a service is not worship, because it doesn’t demand anything out of us. I’m wouldn’t go that far, but words, even if we mean them honestly and authentically, cost us next to nothing. It’s the same thing if I were to tell me wife all the nice things I think of her, but I do nothing to actually show it, the words have no meaning.
It’s time we get this straight. You, me, and everyone. Singing songs about God, that draw on concrete knowledge given to us by revelation, are as worshipful as songs can get.
Here are some examples, if you'd like:
Sing Praise to God Who Reigns Above
Built on the Rock the Church Doth Stand
O Worship the King
Love Divine, All Loves Excelling
There Is a Fountain
Guide Me, O Thou Great Jehovah
The God of Abraham Praise
The Church's One Foundation
Christ Is Made the Sure Foundation
Be Thou My Vision